Here are a few more pictures from the past few days:








The inside of my head in convenient html form.













Kal-L, I believe.
One of the Medici, probably. I don't remember. Michael and I saw this in Chicago.
If you don't know Yoda, don't read this blog.
Thanks to Michelle, I have two pleasant looking monkies.
One of Gerry's old Zorro comics.I’ve seen Marvel fall into this pattern before, where they keep trying to one-up themselves by building event on top of event. I think the staff gets locked into that because they feel like they’re pushing themselves creatively when they upset the status quo. Also, crossovers inflate sales, which keeps the executives happy. This is unfortunate because (we keep saying this!) the major strength at Marvel is the individual books. Some of their best stuff is coming from minds like Whedon, Way, and Brubaker- all more or less standalone storylines. Also, the reason people like Bendis is because of his work on Ultimate Spider-Man and Alias- two staunchly continuity-independent books. I think they got lucky in the past with the first Secret War, the Dark Phoenix saga, and a few other big events, and they’re still trying to create their “Crisis”- the big continuity shattering event to define everything for years to come.
The problem is, they either don’t do enough to resonate throughout the universe (any X-book crossover circa 95), or they go nuts and have to backpedal just to get all their writers and fans on the same page (Onslaught, Heroes Reborn, House of M). Either way, nothing as of yet has really stuck. I think this may be because the Marvel Universe is organized well enough that they don’t need to reboot the universe like DC. The only real chaos for Marvel comes from their big events, whereas DC uses events to simplify things. And the universe chugs along.
To what end, though? A big event will generate sales among the fanboys who know enough to keep it all straight, but the highly coveted new reader will skip it entirely, and the casual reader in Borders may only flip through it if the cover looks good. If I was to act as Virgil to a new reader, I would dissuade them from reading Crisis or Civil War until the trades come out, and start them on Captain America and Astonishing X-men. Or Alias, or Ultimate Spider-Man, or a slew of other self-contained comics with easily accessible characters.
Since I arrived at Ball State, I've noticed a glaring lack of realism and figural work from the art department here. Many of the senior exhibitions feature work with human figures, but often the rendering and proportions are sophomoric at best. Not that I can do better, or even as well, but I know what craftsmanship looks like. I've seen great work from my friends in years past, and I am often disappointed with what I see here. Are computer programs to blame, then? Many traditional artists I've known have written digital media off as "cheating," as a quick and dirty way to achieve eye-candy. As ready as I am to argue for the virtue of digital art, I also recognize that most of it is cheap and forgettable. I cringe every time I see a lens flare effect in a professionally produced comic book, but I am enamored with Ben Templesmith's purely digital art in Fell.
Alessandro Bavari: A fantastic Italian artist, and the nicest guy ever I met in Italy.
Dave Devries: He came to Ball State last year and gave a demo on digital painting. I'm still finding new uses for the techniques he imparted to us.
Ben Templesmith: The digital artist of the comic Fell. His drawings are surreal, but each panel pops in a way that few digital artists are capable of.
Tim Bradstreet: He mixes photography, digital, and traditional skill to create some of my favorite contemporary illustration work.
Conspicuously absent (to me at least) is the webcomic Penny Arcade. They're at the top of my list of great web cartoonists, but their art is more "form follows function," rather than producing individual independent works.The once steel tough fabric of a Union man Was sold and Bartered away Fed to money wolves in the Reagan years, Caught in a drift in greedy nineties days So inside this song is our rally cry
chorus: Your dreams are in danger, and "We Must Rise" Our time has come we are under the gun "It's Do or Die"
Its not a rebel cry of some socialist Scheme to push for human rights Just the facts an obvious mentioned on the Behalf of the working man, for his family and his livelihood
-Do or Die, DKM
"Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches - nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair." -John Steinbeck

Here are two reasons so far this week for me to feel smug: article and article. The first article says that introverts get more out of independent thought than people who require external stimuli to constantly entertain them. The second article is my favorite, though: visually-minded people have better creative ability and often filter out a lot of information.
One more thing: Firefox 1.5 is out now. All of my (cool) friends have probably already installed it, but I felt I should bring this up.
So it's come to this- I'm a media darling again. (If I wasn’t so opposed to wearing yellow and purple, I could be a Laker) Last week I got to test the new xbox for the CMD, and then I was interviewed by the CMD, newslink, and the star press for the aforelinked story. The console that I tried ran pretty well, with none of the crashing bugs that I read about on Slashdot last week. There don’t seem to be any standout games as of yet, so don’t be too disappointed if you don’t see the new console under your tree/ in proximity to your menorah/ wherever the hell the mores of Festivus dictate gifts are to be placed. My quotations in the article are probably what I said during the interview, and I must commend the reporter for making some sense of what I was trying to say in my addled, sleep-deprived condition.
Thanksgiving break was enjoyable- I got a little bit of work done, but mostly I just read, ate, and traipsed around the fort with Michael. We went shopping on Friday and Saturday, much to our shared chagrin and amusement. I found gifts for a few people, and I picked up a tie for myself because I feel that I should be regaled in diagonal stripes should I ever have cause to dress up again. I also saw two people with matching rhinoplasty bandages- I know there’s a story there. They looked like a married couple, so did they just roll over one morning and mutually decide that they were ugly? Did they meet at a convention for people who look like California condors? Boggles the mind, it does.
On Saturday night I dug out my old Fireball Island game. Michael read the rule book out loud with consideration for emphasis given by the author. We each played two pieces to make things more interesting- I was red and orange, and he was blue and purple, the plucky little amputee who lost his arm many years ago. Fireball Island is not meant for the good and noble. The object of the game is to make it to the top of a mountain with a fire breathing demon head, steal a large plastic jewel, and escape to a boat at the end. To this end, each player is granted the limited geologic power to smite the bejeezus out of opponents with strategically deployed red fire marbles that roll around and destroy players. I hope I’m preaching to the choir here, because if you haven’t played this at least once in your life, you’re missing out. Michael’s blue player emerged from the plastic jungle victorious, despite being repeatedly nuked by my Damaclean fireballs, and despite me splitting hairs over the rules of when cards can be played and some tom-foolery at the end.
On the issue of USA Today altering a photo of Condi Rice:

A young Baboon chewing on a branch.
If there's anything in nature funnier than a baboon's red arse, I have yet to see it.
I wish I could have taken this one closer. It's some kind of monkey lounging in a log.
Tom communes with nature. Lorakeet eats, bites Tom. It would have been a better story if he had shrieked like a schoolgirl, but he was tough. Then we all went and used the free hand sanitizer.
This eel can do whatever it darn well pleases, as far as I'm concerned. It's things like this that keep me out of non-chlorinated water.Yesterday I had the pleasure of attending the wedding of my old friend Sarah and the newest induction to the Fools, Kris. The services were held in the lobby of the Embassy Theatre, a beautiful old building with handmade wall sconces, intricate floor tile patterns, and naught but the finest metal folding chairs for the guests. The ceremony proceeded as such things do: music, vows, and that feeling of giddy solemnity that is exclusive to weddings. The collective esteem for the happy couple was palpable. This wasn't one of those weddings where you sit there and cynically envision the pending union as a commuter train careening off of the tracks into a herd of cattle. These two are far too cool and likeable. Gerry and I will die alone, so we can at least glean some vicarious matrimonial joy from this. The open bar and the large dinner spread at the reception didn't hurt, either.
The reception was quite pleasant. I wore my brand new coat that I purchased at a significant discount, along with a newly-acquired dress shirt that wasn't such a good deal, but actually fits my Ent-ish frame pretty well. The social setting was peculiar though. The party consisted of people with the stamp of approval from two very nice people, so socializing was easy enough even for me. Sarah is still as sweet as ever, though she has developed an assertive wit in the years since I knew her in high school. Kris is, in all regards, a great guy. I caught up with a few other people who I hadn't seen since high school, and met a couple of new people as well.
If you're like me, with such an insufferabley high opinion of yourself that you must tell the world about the minutiae of your life via a blog, then click on the link graphic below to take a blogging survey created by a PhD candidate at MIT.