Friday, April 28, 2006

This is a post about comic books, so if you skip it, I won't blame you.

This was originally an e-mail rant about big events in comic books I sent Gerry. It's long enough that I decided to put it here too.

I’ve seen Marvel fall into this pattern before, where they keep trying to one-up themselves by building event on top of event. I think the staff gets locked into that because they feel like they’re pushing themselves creatively when they upset the status quo. Also, crossovers inflate sales, which keeps the executives happy. This is unfortunate because (we keep saying this!) the major strength at Marvel is the individual books. Some of their best stuff is coming from minds like Whedon, Way, and Brubaker- all more or less standalone storylines. Also, the reason people like Bendis is because of his work on Ultimate Spider-Man and Alias- two staunchly continuity-independent books. I think they got lucky in the past with the first Secret War, the Dark Phoenix saga, and a few other big events, and they’re still trying to create their “Crisis”- the big continuity shattering event to define everything for years to come.

The problem is, they either don’t do enough to resonate throughout the universe (any X-book crossover circa 95), or they go nuts and have to backpedal just to get all their writers and fans on the same page (Onslaught, Heroes Reborn, House of M). Either way, nothing as of yet has really stuck. I think this may be because the Marvel Universe is organized well enough that they don’t need to reboot the universe like DC. The only real chaos for Marvel comes from their big events, whereas DC uses events to simplify things. And the universe chugs along.

To what end, though? A big event will generate sales among the fanboys who know enough to keep it all straight, but the highly coveted new reader will skip it entirely, and the casual reader in Borders may only flip through it if the cover looks good. If I was to act as Virgil to a new reader, I would dissuade them from reading Crisis or Civil War until the trades come out, and start them on Captain America and Astonishing X-men. Or Alias, or Ultimate Spider-Man, or a slew of other self-contained comics with easily accessible characters.

Speaking of comics, Infinite Crisis wraps up this week with #7 and the largest hero-villain battle ever, no hyperbole. The Villains United special this week set it all up, with nearly every hero and villain ending up in Metropolis after a worldwide prison break. Considering how free Geoff Johns has been with killing off characters in this series, and considering that Doomsday, Bane, Solomon Grundy, and a noticably more psychotic than usual Bizarro are all there, the issue is going to be incredible.


Go watch C for Cookie. You'll be glad you did.

No comments: